Colin Firth as Robert Lawrence

Colin Firth as Robert Lawrence
 


L.A.Times review

Colin Firth's masterfully intense performance drives this story
Colin Firth interview

"when the thing came out and all those familiar facial gestures appeared, I was physically ill with disappointment"
Seattle Times review

[Firth's] ability to create Lawrence at various stages in the story - and to make it immediately clear what the state of his physical and emotional health is at that moment - strengthens Wood's script





Excerpts from: A Riveting Drama of a Wounded Falklands Veteran
By: Howard Rosenberg, L.A. Times
Broadcast in the U.K. May 31, 1988 on BBC1
Broadcast in the U.S. May 27, 1990 on A&E

"Isn't this fun!" shouts dashing Scots Guards officer Robert Lawrence while storming Tumbledown Mountain in the Falklands. Later, a sniper's bullet blows away 40% of his brain.

Yes, we've heard the message before, many times. But it's delivered so graphically by this BBC drama, that you're kept riveted.

Colin Firth's masterfully intense performance drives this story about the real-life Lawrence, a spirited young man who caused a large stir in Britain by claiming the Army treated him terribly during his tortuous rehabilitation, making his recovery a nightmare. All of that spills out in Charles Wood's unsentimental, flashbackwoven script that details the army's alleged abuse of Lawrence and also his alleged abuse of the medical staff trying to help him.

Director Richard Eyre doesn't soften the experience for us as he unsparingly contrasts the boozing, socializing prewar Lawrence with the critically wounded soldier bent over by surgeons working to save his brain. That you won't forget.  
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From a 1997 interview with Greg Stevens:

"I've never been any good in anything that has been badly written," says Firth, who is known to be highly self-critical, even of acclaimed performances like his portrayal of wounded Falklands soldier Robert Lawrence in the award-winning television drama Tumbledown. (Indeed, Firth is remarkable for having played three celebrated living characters -- hostage John McCarthy, Lawrence and Hornby.)

"Being honest, I didn't think too much of my performance at the time, though a few years have passed now. You know, it's that sort of part. He gets paralysed here, he stabs someone there, he cries here. It's straight drama-school fare and Robert is a far more nebulous character than that; he's not reliant on his looks or his charisma.

When you meet him you realise here's a man who's been cracked by his own imagination. The thing that shocked me most about Tumbledown was that I'd got so close to Robert; here was a guy who was at my side through the whole shoot, and I thought, 'I'm really like him', and I was imagining being him, and then when the thing came out and all those familiar facial gestures appeared, I was physically ill with disappointment. It took years to appreciate what I'd done.

"It's just an actor and his vanity, but with Fever Pitch I learnt from that. I filtered out all the bullshit early on.  top

To read the whole interview.  You'll have to use the BACK or RETURN button on your browser to return to this page.



'Tumbledown' shows a Soldier's disillusionment
Seattle Times- Sunday May 27, 1990
By: John Voorhees

Cable's A&E has come up with the perfect movie for Memorial Day weekend: "Tumbledown," a searing docudrama about Robert Lawrence, a 22-year-old lieutenant in the British army's elite Scots Guard regiment. Lawrence was severely wounded during the Falkland Islands conflict between Great Britain and Argentina.

Charles Wood wrote the script for this movie, for which Lawrence served as adviser. It's a kind of British version of "Born on the Fourth of July," with the Falklands substituting for Vietnam. Like that film, "Tumbledown" is about one soldier's disillusionment with war.

Wood's script skips back and forth between past and present, but Richard Eyre's direction is so skillful that this never becomes confusing or annoying. Wood saves the big battle scenes for the movie's final moments, making Lawrence's struggles to recover from his emotional and physical injuries, which we've already seen, that much more poignant and powerful.

Colin Firth gives an outstanding performance as Lawrence; his ability to create Lawrence at various stages in the story - and to make it immediately clear what the state of his physical and emotional health is at that moment - strengthens Wood's script.

We see, at various times, Lawrence as a brash young hellion and gung-ho leader in the Scots Guard; Lawrence near death on the battlefield; Lawrence as a rebellious patient nearly overwhelmed by trying to regain control of his life; Lawrence as the recovering but still bitter military man for whom soldiering was everything.

Wood's script contrasts media coverage and the government's glorification of British soldiers in the Falklands war with the suffering experienced by wounded soldiers and their anger at everyone's inability, civilian and military, to fully understand their feelings.

"Tumbledown" is more a collage of expressions than a continuous story, although Lawrence's injuries are the theme that connects it all, a collage of great but brief scenes: Wounded soldiers in a ward watching, expressionless, TV coverage of a service where the royal family honors the soldiers; the contrasts between the pomp and circumstance of the peacetime army and the ugliness of actual warfare; a reunion with his former girlfriend; the understated mixture of pride and pain on the face of Lawrence's father (beautifully played by David Calder); and razor-sharp cameos of various nurses, doctors, physical therapists and psychiatrists with whom Lawrence comes in contact.

In one scene, the father of his best friend is fascinated by war and war memorabilia but admits to being a coward: " I collect," he tells Lawrence, "but I don't do - like the rest of the country." Another memorable scene finds Lawrence being interviewed by an army researcher on what it feels like to kill!

Underneath all of it is the recurring theme that the Falklands war was a pointless one, not worth its cost in blood. Although this excellent movie refers to a war that was of little importance to Americans, it nevertheless is the perfect counterpoint to the kinds of patriotic speeches that too often tend to surface about this time of year.  top


Note: These images were snapped from the video by me.

Lisbeth's Tumbledown webpage Visit Lisbeth's page for more photos and quotes about the film
Vicky's Snappys of Tumbledown Visit Vicky's snappys from the film
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